Home arrow STx Application Notes
STx Application Notes
S_TOOLS-STx Application Notes Content PDF  | Print |
  • Import existing soundfiles into STx, create a DataSet (project file)
  • RECORD sound (analogue to digital transfer)
  • Soundfile-Segmentation and Annotation (metadata creation)
  • WAVEFORM DISPLAYS
  • FREQUENCY ANALYSIS 
        Real Time Frequency Analyser (2-channel)
      FFT, amplitude and phase, spectrograms
      Wavelet Analysis, Wavelet Phase Spectrograms
      Pseudo-Wigner Distribution and other time-frequency representations
      Frequency Band Analysis
      Bark, Mel, ERB and contant-Q frequency scales
      Cepstrum Analysis (FFT-based)
      Linear Prediction Coding (LPC) Analysis
  • SIGNAL PARAMETER
        Extraction of Formant Frequency Candidates (in speech)
        Fundamental Frequency Analysis
        Statistical Analysis of sound signal parameters and feature generation
        (Basic Statistics, Cluster Analysis, Principal Component Analysis)
  • SIGNAL SEQUENCER and Basic Sound Synthesis functions
        Signal Segment Lists and Annotations Content Search
        Sound Segment Presentation and hearing experiments design
  • FILTER (Signal Modification)
        Time invariant and Adaptive Filtering (digital filter techniques)
        Sound Quality Design tools
        Denoising, Signal Enhancement, Time Scale Modification
  • Auditory Perception Modelling (Computational Hearing)
        Irrelevance Filtering (adaptive filtering and matching to the masking of 
        human hearing: Relevance Spectrograms)
        Tracking of Perceptually Relevant Spectral Components
        by overmasking (figure – background discrimination)
  • ORDER ANALYSIS (rotating engine sound and vibration analysis)
  • Modified Phase Vocoder implementation
  • Automatic Sound Object Segmentation and Sequencing of sound segments
  • Environmental Noise, Acoustic Phonetics and Music analysis tools
  • Metadata Generation for noise, speech corpora, music and sound collections
  • a convenient script language and batch processing
  • and many useful Toolbox functions and functional user scripts

Working with S_TOOLS-STx is highly effective because:

  • S_TOOLS-STx is specifically designed to handle collections of large binary sound objects in the range of hundreds of GBytes
  • S_TOOLS-STx provides many sound database functions
  • the creation of publication-quality graphs is supported.
  • S_TOOLS-STx can communicate with external programs such as word processors, graphics, mathematics and statistical packages on an ASCII file basis or via DDE and DCOM.
Last Updated ( Friday, 06 November 2009 )
 
How to start a new STx-Project PDF  | Print |
  • Consider the soundfile(s), your essence, to be processed and associated metadata files (if available) to store in a convenient disk-directory of your computer. 
  • Start STx.
  • Create a new Project-File (DataSet-File) preferably at the primary disk location of the soundfiles.
  • Input a singe soundfile or a collection of soundfiles into the STx-DataSet by drag and drop from the Windows Explorer into the Workspace window of STx or use the STx-tool FindFile (see below).
  • Record new soundfile(s) if appropriate by using the STx-Recorder.
  • Observe that STx has accepted the soundfiles as compatible by checking the content of the STx-soundfile list.
  • Double-Click on a Soundfile-Entry. STx opens the Sound-Segment list of the selected soundfile.
  • To play the content of the soundfile double-click on the automatically created segment entry Signal.All.

Note 1: Click on the progress bar during sound reproduction in order to listen into any part of your soundfile (see Play).

The STx-Project is now ready for further processing. 

Note 2: New soundfiles can be added to your project (DataSet) at any time. Important: Deleting a soundfile in the soundfile list does not touch the soundfile itself. Functions from the Signal Modification section of STx only change the content of the soundfile(s), that's why soundfile copies should be used in these cases. STx currently provides no UNDO function on sound signals.

 

Last Updated ( Thursday, 19 June 2008 )
Read more...
 
STx-FindFile PDF  | Print |
The STx-FindFile Tool supports the user to find soundfiles on local and network disk drives. FindFile additionally performs a validity check of the soundfiles found. The result of the search is addet to the workspace of the STx-workspace and integrated into the current STx-DataSet.
Last Updated ( Wednesday, 15 October 2008 )
 
Record a New Signal PDF  | Print |

In order to start a recording session in STx, proceed as follows:

  • Select Recorder Setup
  • Specify record settings (sampling frequency, # of channels etc.)
  • Select preferred recorder layout. Note: auto-run RTAnalyser is only available under Windows XP and Vista due to system limitations in Windows NT and 2000.
  • Specify theTemp-Directory for the recorder soundfile location (or use default)
  • Start recording:  
record_start..... Stop recording and save recorder sound file to destination directory and desired name (*.wav) The recorded soundfile appears in the STx sound file list.

Note: The default soundfile naming uses the actual date and time, such as rec-2008.06.05-12.55.37.wav. 

Note: externally recorded (alredy existing) soundfiles can simply be imported into STx by just drag and drop the soundfile from the Explorer into the STx-workspace or use the FindFile tool of STx to import the files into the STx-DataSet, finally the File->Soundfile->Open option from the pop up menue can be applied.

Note: The STx-Recorder automatically creates a soundfile segment named Signal. All  in the soundfile segment list with the start address 0 samples and the duration of the recorded signal in xxxxyyy samples.

Image

STx currently works with samplimg frequencies selectable from 500 Hz to 2 MHz at word lengths of 8 /16/ 24 Bits, provided that these formats are supported by the hardware and driver of your sound subsystem under Windows 2000/NT/XP or Vista. Up to 64 channels (48 kHz, 24 Bits) have been recorded simultaneously by means of an 8 x 8 microphone array. A binary word length of > 24 bits, higher sampling frequencies and alternative soundfile formats are available on request. For further hints about performing digitization see the Sections STx-Recorder Setup, I/O and General Soundfile Setup.

Last Updated ( Tuesday, 17 June 2008 )
Read more...
 
STx-Recorder Setup PDF  | Print |

The Recorder Setup show PPM bars pecifies the basic parameters, such as sampling frequency, mono/stereo, word length, maximum signal duration etc. in the left section of the dialog. Read more: Extended Recorder Setup for Online Signal Segmentation. 

Last Updated ( Friday, 06 November 2009 )
Read more...
 
Create Sound Segments and Annotations PDF  | Print |

A sound segment (audio segment) is a selected and named sequence of contiguous sound samples in a signal stream. Segments are located in sound files. Access to STx generated sound segments is provided by means of the Segment-List-Window, which opens when a sound file is selected from the sound file list of the STXDataSet. Segment lists specify segment addresses (cue in - cue out time pointers) and associated metadata (attributes and annotations). They support the management of named sound segments of continuous stored signals, whether located in the associated sound file or in an other sound file.

Last Updated ( Tuesday, 12 August 2008 )
Read more...
 
Sound Segment Specification PDF  | Print |

Sound segments are defined by a SegmentName (ID), SegmentStartAddress and Segment Duration within a soundfile. The SegmentStartAddress is relative to the beginning of the soundfile, and the SegmentDuration begins at the SegmentStartAddress. Alternatively the SegmentEndAddress can be specified.

Last Updated ( Thursday, 19 June 2008 )
Read more...
 
Create a new sound file PDF  | Print |
A new sound file should be created before STx performs a signal management or signal processing function, which could change the original. This includes, filters, amplification, phase vocoder etc, which prompt the user for source and destination addresses and allow to replace the original as well as truncation, signal delete copy/paste operations. Currently STx provides no UNDO function!
Last Updated ( Friday, 06 November 2009 )
 
Export Segments into Soundfiles (*.wav) PDF  | Print |

Several software products, such as MS Power Point, accept *.wav files to be reproduced in presentations. In order to make STx sound segments available for that purpose the Export to Soundfile function is provided. Select the appropriate sound segment and open the pop up dialog by right mouse click and select Export->Export to Soundfile.

Export Metadata (Ctrl+M) saves the metadata for the selected file to disk.

Note that you can use the export.sts toolbox to export multiple segments to disk in the format <soundfile>.<segment>.wav 

Last Updated ( Saturday, 01 September 2007 )
 
Copy & Paste Sound Segments PDF  | Print |

Assuming, you want to concatenate arbitrary sound segments from one or more soundfiles in consecutive order into one or more already existing soundfiles:

  • Open the sound segment list of the source file by selecting the file from the filelist of the STx-Workspace.
  • Just copy and paste (Ctrl+C/Ctrl+V) the selected sound segment(s) from the segment list into the segment list of the destination soundfile. Multiple selections from the STx segment list of a source soundfile are possible.

Note: The destination soundfile must already exist in the STx-soundfile list. Sampling rate and sample word length of source files(s) and destination soundfile(s) have to be compatible. Channels have to be specified.

  • Copied sound segments will automatically be appended at the end of the destination soundfile.

Note: Segment annotations are taken over from the segment list of the source file(s).

 

For further options of signal and segment manipulation see STx-Sequencer. 

Last Updated ( Saturday, 01 September 2007 )
 
Real Time Analyser - Quickstart PDF  | Print |

Der Real Time Analyser analysiert in Echtzeit Soundinputs, die entweder über das Mikrophon oder direkt von gespeicherten Sounddateien bzw. Radio, etc. eingespielt werden können.

Last Updated ( Friday, 06 November 2009 )
Read more...
 
© 2010 - Austrian Academy of Sciences - Acoustics Research Institute
Tuesday, 16 March 2010