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Projects - Psychoacoustics
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This area is involved with the analysis of the acoustics of music and with human perception thereof.
In close cooperation with em.o.Univ.Prof. Dr. Franz Födermayr (Inst. of Musicology, Univ.Vienna) historic recordings of Georgian multipart songs are analyzed and transcribed.
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Last Updated ( Monday, 23 March 2009 )
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Projects - Mathematics in Acoustics
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Regular and Irregular Gabor Multiplier with Applications in Psychoacoustic Masking
This project consists of three subprojects:
1.1 Frame - & Gabor multiplier:
Recently Gabor Muiltipliers have been used to implement time-variant filtering as Gabor Filters. This
idea can be further generalized. To investigate the basic properties of
such operators the concept of abstract, i.e. unstructured, frames is used. Such multipliers are operators, where a certain fixed mask, a so-called symbol,
is applied to the coefficients of frame analysis , whereafter synthesis
is done. The properties that can be found for this case can than be
used for all kind of frames, for example regular and irregular Gabor
frames, wavelet frames or auditory filterbanks.
The basic definition of a frame multiplier follows:
As special case of such multipliers such operators for irregular Gabor
system will be investigated and implemented. This corresponds to a
irregular sampled Short-Time-Fourier-Transformation. As application an
STFT correpsonding to the bark scale can be examined.
This mathematical and basic research-oriented project is important
for many other projects like time-frequency-masking or
system-identification.
References:
- O. Christensen, An Introduction To Frames And Riesz Bases, Birkhäuser Boston (2003)
- M. Dörfler, Gabor Analysis for a Class of Signals called Music, Dissertation Univ. Wien (2002)
- R.J. Duffin, A.C. Schaeffer, A Class of nonharmonic Fourier series, Trans.Amer.Math.Soc., vol.72, pp. 341-366 (1952)
- H. G. Feichtinger, K. Nowak, A First Survey of Gabor Multipliers, in H. G. Feichtinger, T. Strohmer
Dokumente:
Kooperationen:
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Last Updated ( Monday, 19 October 2009 )
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Project Descriptions - Mathematics in Acoustics
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Project Title:
Practical Time Frequency Analysis
Objective:
Numerous implementations and algorithms for time frequency analysis can be
found in literature or on the internet. Most of them are either not well documented
or no longer maintained. P.
Soendergaard started to develop the Linear
Time Frequency Toolbox for MATLAB.
It is the goal of this project to find typical applications of this toolbox
in acoustic applications, as well as incorporate successful, not-yet-implemented
algorithms in STx.
Method:
The linear time-frequency toolbox is a small open-source Matlab toolbox with
functions for working with Gabor frames for finite sequences. It includes
1D Discrete Gabor Transform (sampled STFT) with inverse. It works with full-length
windows and short windows. It computes the canonical dual and canonical tight
windows.
Application:
These algorithms are used for acoustic applications, like formants, data
compression, or de-noising. These implementations are compared to the ones
in STx, and will be implemented in this software package if they improve its
performance.
Partners:
- H. G. Feichtinger et al.,
NuHAG,
Faculty of Mathematics, University of Vienna
- B. Torrésani,
Groupe
de Traitement du Signal, Laboratoire d'Analyse Topologie
et Probabilités, LATP/ CMI, Université de Provence, Marseille
- P. Soendergaard,
Department of Mathematics,
Technical University of Denmark
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Last Updated ( Thursday, 30 October 2008 )
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Project Descriptions - Acoustic Phonetics
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Project title:
Phonetics and Phonology of the Viennese Dialect.
Part I: The vowels
Introduction:
As is customary for urban varieties, the varieties of Vienna are predominantly social varieties. Education and social background form the primary factors which define the language behaviour of the speakers.
The Viennese dialect belongs to the Middle Bavarian dialect group. Around the turn of the century, a sound change arose which monophthongized the diphthongs /aɛ/ and /ɑɔ/ to /ć:/ and /ɒ:/ repectively. This sound change was accomplished around 1950. As a result of the Viennese monophthongization, the palatal constriction location became overloaded. As early as the thirties, Kranzmayer observed what he called the "e-confusion", i.e., people stopped to discern the /e/-vowels, "Segen" (blessing) and "sehen" (to see) became homophones: [se:ŋ].
Method:
5 female and 5 male speakers of the Viennese dialect were asked to name pictures, to read sentences, and to speak spontaneously.
Results:
As a consequence of the Viennese monophthongization and the consecutive overcrowding of the palatal constriction location, speakers of the Viennese dialect developed two strategies. One group, in the sense Kranzmayer observed, neutralized /e/ and /ɛ/ to /e/. This neutralization made room for the new palatal vowel /ć/.
The other group, however, preserved /e/ and /ɛ/, but sometimes applied the two vowels incorrectly, i.e., produced /ɛ/ instead of /e/ and the other way round. However, since no neutralization took place, the vowel /i/ is shifted to the pre-palatal constriction location. By this shift, room is created on the palatal bar for the new vowel /ć/.
Group I, consequently, discerns the following vowels:
- palatal: /i:, i, e:, e, ć:/
- velar: /u:, u/
- uvular: /o:, o, ɔ:, ɔ/
- pharyngeal: /ɑ:, ɑ, ɒ:/
Group II discerns the vowels as follows:
- pre-palatal: /i:, i/
- palatal: /e:, e, ɛ:, ɛ, ć:/
- velar: /u:, u/
- uvular: /o:, o, ɔ:, ɔ/
- pharyngeal: /ɑ:, ɑ, ɒ:/
Lip rounding and duration is distinctive for each vowel system.
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Last Updated ( Monday, 02 November 2009 )
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